Determine lighting areas.The size and number of lighting areas you'll need to light the acting space will depend on the space you're working in and the number and type of instruments you have.
![stage lighting design play stage lighting design play](https://images.squarespace-cdn.com/content/v1/551eb398e4b0b101cf722ed8/1470779197952-TD6HNX9CIPOUXZ6KP2QC/image-asset.jpeg)
Make 8"x10" copies of the ground plan and diagram blocking for individual scenes if necessary. Complete run-throughs can be the most helpful, but attend enough rehearsals to be familiar with the actor's blocking. Begin watching rehearsals.Once blocking is completed, a lighting designer should become familiar how the director uses the stage space. Decide on color.Use a light lab to experiment with different colors on costume swatches, scenic models or paint chips for the show. Make a simple diagram that can be shared with the director and design team. Determine a lighting key.Decide what functions of light you want to use for the entire stage. Learn the vital statistics of the equipment available, including quantity, lamp type, wattage, frame size and multiplication factor. Luminaries for your production are like the paint and brushes of an easel artist. Eventually, you'll also need a ground plan and vertical section of the scenic design.
![stage lighting design play stage lighting design play](https://www.hayaled.com/repository/image/THkXxhRbTjmJadPLLLrz_g.jpeg)
Get an accurate copy of the ground plan and vertical section of the theatre where the show will be produced that indicates all hanging positions and circuit locations.
#Stage lighting design play software#
Use storyboards, photos, period paintings, computer software or a light lab to demonstrate to the director and design team what you want to accomplish with the lighting design.į. Be as specific as possible, but realize the written analysis is a work in progress and the approach will be modified as the process continues.Į. Begin developing a lighting and color key that will indicate the direction and color of light for a typical lighting area on stage. Explain what you feel the play is about and how you'd like the lighting to contribute. Create a written approach to the design that you can give to the director for feedback.
![stage lighting design play stage lighting design play](https://s2.studylib.net/store/data/018436194_1-295a7637ff9a54d9b7173ac14d27486e.png)
Collaborate towards a final product that all agree is the best possible approach for this play, at this time, in this venue, for this audience.ĭ. Help develop a master calendar and determine deadlines for the group. Meet with the production team.Decide how often the group will get together. Compare notes and see if can interest the director with your ideas for the show.Ĭ. Meet with the director.Find out how the director wants to approach the production. Consider how you'd like to see all aspects of the play produced and bring those ideas to meetings you have with other artistic personnel.ī. Imagine yourself the director, the producer and all of the designers.